Aviv's Scripts Page #12
Here's the list of scripts submitted by aviv — There are currently 613 scripts total — keep up the great work!
 | INT. HOUSE Beth Vincent! What are you doing? Vincent! Vincent Hey, Ben! You won. EXT. OUTSIDE THE HOUSE Beth Come on, admit it. You're looking forward to this. Patty Are you kidding? I've got the weekend crowd I'm not even going to notice. INT. THE HOUSE Vincent Give me a break, ... | added by aviv 7 years ago |
 | Crouching Tiger, Hidden Dragon EXT. YUAN COMPOUND - DAY Security men and porters are loading wagons for a convoy. As they work, we see across the lake a lone horseman entering the village. One of the men recognizes him. WORKER Master Li is here! ANGLE ON: Li Mu Bai, thirties, powerful and handsome. In the background, old ... | added by aviv 7 years ago |
 | Oh, thank you, Arnold. I- I can manage that. But I still don't see why you couldn't wait a couple of weeks. Why go all the way up to Loki? Well, we want to hear Grace Makanga speak, and she won't be coming to Nairobi. I see. Oh, sweetheart, don't bother to see us off. It could be ages. Okay... | added by aviv 7 years ago |
 | SCENE 1 MINI Why are we so early? LILY It's good to be early. MINI Do you ever worry that you won't recognize him, Mama? LILY You recognize me, don't you? Why shouldn't you recognize him? MINI Well, he might have grown a beard or a mustache or something, and I was so little...I only think ... | added by aviv 7 years ago |
 | The opening credits appear over a sky, growing stormy. 1 -- EXT. WADSWORTH'S CAR--TWILIGHT -- 1 WADSWORTH's car travels through the wind of an oncoming storm. It pulls up to the gate of Hill House. Hill House is a large, imposing mansion, looking very New England. Wadsworth takes out a key a... | added by aviv 7 years ago |
 | SCENE EXT. JUNGLE/TEST SITE - HORN ISLAND, SOUTH PACIFIC - 1977- DAY. BRYNNER Hemmings! Sam, I thought I told you to close up shop and be ready to move up the island by night-... BRYNNER (off) ...-fall. HEMMINGS Yes, Captain Brynner, you did, but-but-- BRYNNER (off) (interrupting) But.... | added by aviv 7 years ago |
 | SCENE 1 JANE Thank you. I'm Jane DeLuca, this is Johnny Figgis, and our band. MAN I'm going to take a leak, Babe. WOMAN Bye. JANE Did you see that bitch, man? JOHNNY Fuck her. JANE I'm going to fuck her! JOHNNY Wait! J...J...Jane! JANE Girl, that man is so fine! WOMAN Yeah, actually h... | added by aviv 7 years ago |
 | FADE IN: INT. BEDROOM - NIGHT ANDREW MARSH lies on his back in bed. He is a frail-looking man in his early sixties, with thinning gray hair. On top of him is a much younger WOMAN. Although her back is to us, we catch flashes of her face for a moment as she turns from side to side. We see ... | added by aviv 7 years ago |
 | INT. NATIONAL GALLERY. BOARDROOM - DAY A very grand room, with lots of wood and some very famous portraits round the walls. A group of grave gentlemen and gentlewomen. They are the trustees of the National Gallery. LORD WALTON, a very grand man, sits at the table head. To his right sits... | added by aviv 7 years ago |
 | VILLA HEADQUARTERS. INSIDE. NIGHT. Inside a three-story villa, just built, with whitewashed walls. An elevator shaft is empty, the large cables dangle. On every landing two apartments. The front doors are wide open. Whitewash on the floor of the halls, swirls of whitewash on the windowpanes... | added by aviv 7 years ago |
 | BLACK We HEAR "Waltzing Matilde," by Tom Waits. INT. MUSEUM OF MODERN ART – DAY (DREAM SEQUENCE IN GRAINY BLACK AND WHITE) Fade out music. Silence. A well-dressed black BOY and his MOTHER walk through several galleries. They stand before Picasso's "Guernica," holding... | added by aviv 7 years ago |
 | FADE IN: ON BARTON FINK He is a bespectacled man in his thirties, hale but somewhat bookish. He stands, tuxedoed, in the wings of a theater, looking out at the stage, listening intently to end of a performance. In the shadows behind him an old stagehand leans against a flat, expressionlessly ... | added by aviv 7 years ago |
 | INT. APARTMENT - MORNING WE are in the living quarters of PIERRE DELACROIX. The windows overlook the Brooklyn Promenade and the majestic lower Manhattan skyline. DELACROIX (V.O.) Bonjour, my name is Pierre Delacroix. I'm a television writer, also a showrunner, a creative person. We see a tall... | added by aviv 7 years ago |
 | EXT. VALLEY - DUSK Gold light dappling across a valley that seems to reach on forever. We ease back, revealing more - taking in the visual feast - finally discovering a seated figure facing out over the valley - a DOG at his feet. VIRGIL ANDERSON, life ahead of him - someone seemingly at ea... | added by aviv 7 years ago |
 | EXT - PRAGUE STREET - NIGHT A luxury police vehicle travels along a downtown street in Prague with Western advertisements displayed. Car stops at traffic lights. INT - POLICE CAR - PAVEL/MIRA/DRIVER - NIGHT Mira and Pavel are in the rear seats with uniformed Driver up front. Mira turns to l... | added by aviv 7 years ago |
 | FADE IN: 1EXT. BOREAL FOREST - ALASKA - (AERIAL SHOT) - DAY Flying. Not at the intangible height of a jet, but at spitting distance from the treetops. We're in central Alaska, the Big Lonely, just north of the Arctic Circle. A thick forest follows the contours of mountain foothills like a d... | added by aviv 7 years ago |
 | INT. ARCADE WORLD -- ELECTRONIC DARKNESS We don't know if it's night or day. It's just black. And maybe...maybe intermittent SPARKS racing by. So quick we barely perceive them. Like the sparks you imagine when your eyes are closed. BREATHING, slow and hollow, filling up the entire world. ... | added by aviv 7 years ago |
 | FADE IN: Abrupt medium close-up of Alvy Singer doing a comedy monologue. He wearing a crumbled sports jacket and tieless shirt; the background is stark. ALVY There's an old joke. Uh, two elderly women are at a Catskills mountain resort, and one of 'em says: "Boy, the food at this ... | added by aviv 7 years ago |
 | FADE IN: EXT. NEW YORK CITY SKYLINE – NIGHT ESTABLISHING SHOT OF THE NEW YORK CITY SKYLINE AT NIGHT, THE LIGHTS OF THE CITY SHINING BRIGHTLY. EXT. WORKOUT AREA – SAME NIGHT ESTABLISHING SHOT OF MASTER KWAN'S SCHOOL, A RAMSHACKLE BUILDING IN A BURNED OUT ROW OF STORES. His is the only o... | added by aviv 7 years ago |
 | RADIO On a dark screen an immense amber light appears and an electric humming begins. The eerie light glows brighter and illuminates a single huge number--11. We hear static and a large vertical band of red floats mysteriously across the screen. Pulling back slowly, we watch the glowing ban... | added by aviv 7 years ago |
 | EXT. DEEP SPACE We OPEN on TOTAL BLACKNESS, a sea of stars spread across the infinite depths of space. As the TITLES ROLL, we notice that three of these specks seem to be moving; one of them picking up acceleration and racing toward us. Our perspective changes, and we catch a quick glimp... | added by aviv 7 years ago |
 | FADE IN: EXT - CONVENT - DAY Whispering of nuns at prayer. DISSOLVE TO: INT - CHAPEL - DAY Nuns at prayer; MOTHER MIRIAM, the Superior closes the gate and locks it. DISSOLVE TO: EXT - COURTYARD - DAY The nuns walking around the courtyard in an anticlockwise direction saying the rosary. D... | added by aviv 7 years ago |
 | A Screenplay by Roman Polanski, John Brownjohn and Enrique Urbizu Based on a novel by Arturo Perez-Reverte 1. TELFER HOUSE: LIBRARY INT/NIGHT ANDREW TELFER, a scrawny seventy-year-old, is writing a note at his desk in one corner of a big, book-lined room. Dangling from the central chandel... | added by aviv 7 years ago |
 | INT. MIAMI AIRPORT, TERMINAL -- DAY Amongst the weary tourist families and solitary businessmen sits TOM WELLES, middle-aged, hair neat, suit crisp and gray. He's eating crackers from a cellophane package, sipping soda from a paper cup, watching an ARRIVAL GATE. AT THE GATE PASSENGERS arrive... | added by aviv 7 years ago |