Aviv's Scripts Page #3
Here's the list of scripts submitted by aviv — There are currently 613 scripts total — keep up the great work!
 | FADE IN: M.G.M. TRADEMARK A.1 Leo the Lion ROARS over the FANFARE, then FADE OUT: GLIDING OBJECTS IN A WIDE DARK VOID - (ANIMATION) Out of the SILENT darkness a short white ... | added by aviv 7 years ago |
 | OVER BLACK: VOICE OVER My name is H. I. McDunnough... A WALL With horizontal hatch lines. VOICE OVER ...Call me Hi. A disheveled young man in a gaily colored Hawaiian shirt is launched into frame by someone offscreen. He holds a printed paddle that reads "NO. 1468-6 NOV. 29 79."... | added by aviv 7 years ago |
 | FADE IN: ON A "MAROON CARTOON" Accompanied by zany CARTOON MUSIC, the TITLE CARD reads: MAROON CARTOONS PRESENT BABY HERMAN AND ROGER RABBIT IN "THE BUNNYSITTER" Below are two cameos of the cartoon's stars. One picture is of a cherubic baby in a bonnet innocently pos... | added by aviv 7 years ago |
 | FADE IN: INT. RECORDING STUDIO (LAST SESSION) - LA DEC 1970 - NIGHT A dark silence hovers along the deserted, bunker-like studio. MIKE stands and booms shadow a grand piano... The ENGINEER waits in the booth, lit, alert man, bored, fiddling... ENGINEER Hey Jim, It's your birthday man, whad... | added by aviv 7 years ago |
 | EXT. SOMEWHERE IN THE DESERT SOUTHWEST - DAY BEGIN TITLES OVER: It is early morning and already hot. INSECTS drone, crackle, and scurry for shade. PRAIRIE DOGS burrow to escape the sun. We can see the heat shimmering off the surface of the Earth. On a dusty highway, a pair of VULTURES dine o... | added by aviv 7 years ago |
 | INT. TRANSIT LOUNGE. AIRPORT - NIGHT David HELFGOTT wakes with a start in an indistinct place somewhere in the world. Late thirties, eyelids at half-mast, he stares into the wet night, mesmerized by a flashing red light. David (mumbling) Kissed them all, I kissed them all, always kissed cats,... | added by aviv 7 years ago |
 | EXT DREW'S HOUSE ' NIGHT Modest home on the outskirts of town where no one can hear you scream, HALLOWEEN NIGHT. INT. DREW'S KITCHEN ' NIGHT CLOSE ON YOUNG HOLLYWOOD STARLET, A LITTLE ADORABLE SEXPOT WE WOULD ALL LOVE TO SEE KILLED FOR THIS SCENE. She grabs a tin skillet of "Jiffy Pop&qu... | added by aviv 7 years ago |
 | FADE IN Behind the main title and the credits: 1EXT. PLAINS COUNTRY - CLOSE SHOT - MOVING JUST ABOVE GROUND LEVEL - A STUDY OF HOOFPRINTS - LATE AFTERNOON The hoofprints are deeply etched in the ground, picking their way through scrubby desert growth. An occasional tumbleweed drifts with the l... | added by aviv 7 years ago |
 | FADE IN: SUPER: A TRUE STORY - MYSTIC HARBOR CONNECTICUT 1994 CREDITS OVER Wind on the water. Soaring gulls and sand pipers glide over the pilings and sagging bulkheads. OLDER CHUCK (V.O.) Though I hadn't seen or spoken to Sheldrake in over thirty years, it seemed impossible that his heart ... | added by aviv 7 years ago |
 | FADE IN: NEW YORK CITY - AERIAL VIEW OF DOWNTOWN MANHATTAN - DAY MULTIPLE STREET SCENES - DAY The sidewalks crowded as usual. A sea of humanity. People come and go -- always in a hurry. Oblivious of one another. A TRAFFIC JAM -- A STREET being torn up by construction workers; A SANITATION ... | added by aviv 7 years ago |
 | The story begins with an opening shot on the exterior of the executive mansion. It is a gala day. Soldiers are lined up in front of the entrance; expensive cars and car- riages are arriving and depositing distinguished notables from the adjoining countries. Two trumpeters at the head of the ... | added by aviv 7 years ago |
 | INTERIOR: TELEPHONE COMPANY INFORMATION OFFICE. DAY. We move slowly through a crowded office. A hundred information operators in booths. SHARON works at a computer terminal. Close on her. She's on a kind of autopilot as she does her job, and the people talking to her hear so little personali... | added by aviv 7 years ago |
 | A SONG BEGINS, distant as a faded memory on an old Victrola: Once I built a railroad, made it run... Made it race against time...Once I built a railroad, now it's done...Brother, can you spare a dime... Opening credit sequence plays against footage of the Great Depression, images haunting and ... | added by aviv 7 years ago |
 | A1 TITLE SEQUENCE - SLITSCAN EFFECT A1 1 EXT. SCHOOLYARD - NIGHT 1 Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school build- ings. Spray-can h... | added by aviv 7 years ago |
 | FADE IN: EXT. THE FULL MOON, CLOSE NIGHT It nearly fills the screen, swimming mysteriously in the warm late summer air. SOUND: Crickets. THE CAMERA PANS SLOWLY DOWN TO: EXT. TRAIN TRACKS IN THE COUNTRY NIGHT - AND MOONLIGHT CREDITS BEGIN. A rail-rider comes chugging along the tracks. A... | added by aviv 7 years ago |
 | FADE IN: EXT. TYRE, LEBANON - DAY A coast road. Date palms. Burnt-out hulks that once were Russian T-54 TANKS have long ago been left to rust in the sun. A 4-door MERCEDES hurtles down the ancient road. DEVEREAUX (V.O.) We're online for exactly two minutes. A SATELLITE VIEW Of the same sce... | added by aviv 7 years ago |
 | EXT. MOVIE THEATRE - NIGHT An old preserved movie theatre. The kind only found in a small town. Very picturesque. The marquee in front reads: SNEAK PREVIEW TONIGHT "STAB" Rated R A line has formed around the block, GUYS and GIRLS--mostly college age. CLOSE on a girl, MAUREEN, no more ... | added by aviv 7 years ago |
 | Eternal Sunshine of the Spotless Mind INT. PUBLISHING HOUSE RECEPTION AREA - DAY It's grand and modern. Random House-Knopf-Taschen is etched on the wall in large gold letters. An old woman enters carrying a tattered manuscript, maybe a thousand pages. She seems haunted, hollow-eyed, sickly. The young receptionist, dressed in a s... | added by aviv 7 years ago |
 | 1.SCRIPT APPEARS ON BLACK SCREEN: One hundred years ago the British Colony of Natal in Southern Africa was surrounded by a vast and independent Zulu Kingdom. In 1879, a banle took place that was forever to alter the course of colonial history: I SANDHLWANA 2 EXT. DAWN. Four Zulu's are seen... | added by aviv 7 years ago |
 | LOGO Presentation cards with white, red, blue, blue-green backgrounds, then: CUT TO: INT. WAREHOUSE - EARLY MORNING CAMERA (STEADICAM) holds on a man in a suit, sitting behind a desk, on the phone: BARRY EGAN (Adam Sandler) BARRY ...yes I'm still on hold... OPERATOR And what was this? BARR... | added by aviv 7 years ago |
 | EXT. MANSION -- DAY -- HOME MOVIES A stately mansion. A perfect lawn. A BUTLER carries a birthday cake with sparking sparklers... Past wealthy MEN in crewcuts and thin ties, WOMEN in cat-eye sunglasses. Everyone sings (silent) "Happy Birthday"... CHILDREN follow the cake, in dres... | added by aviv 7 years ago |
 | 1 TITLES - The sound of a woman walking on a deserted street 2 EXT NIGHT STREET - FADE UP - We see a woman's feet wearing red stiletto shoes. It is late at night and she is very alone. She turns a bend and enters a darkened street, her heels making a distinctive click on the path. Suddenly... | added by aviv 7 years ago |
 | Rose Original Airdate: 26 Mar, 2005 [The Tyler's flat] (Earth, United Kingdom, South London. An alarm clock goes off at 7:30. A young blonde woman gets up, dressed and kisses her mother goodbye. Her mother, who is also blonde, still in her dressing gown and lazing on the settee while watching ... | added by aviv 7 years ago |
 | Sorry, I forgot my key. Oh, thanks Hello, Fawlty Towers. Yes. Yes. No, this afternoon, that would be fine. No, it's 16 Elwood Avenue. 16, that's it. Thank you. I'll just put these outside, shall I, dear? Polly, this is where we'll be if you need us. There's the number. If Mr. Stubbs wa... | added by aviv 7 years ago |