Acronimous's Scripts Page #9
Here's the list of scripts submitted by acronimous — There are currently 284 scripts total — keep up the great work!
 | BLACK. JOY (V.O.) Do you ever look at someone and wonder, “What is going on inside their head?” Well, I know. I know Riley’s head. WHITE. FADE IN... INT. HOSPITAL - DAY A newborn baby swaddled in a blanket, held by her parents. Push in... and ZOOM IN TO HER HEAD. INT. HEADQUARTERS... | added by acronimous 8 years ago |
 | Harry Potter and the Chamber of Secrets Scene 1: In a cage. LOCATION: Little Whinging, Surrey – night LOCATION: No. Four Privet Drive – Harry’s room - night HARRY: I can’t let you out, Hedwig. I’m not allowed to use magic outside of school. Besides, if Uncle VernonUNCLE VERNON: Harry Potter! HARRY: Now you’ve done it. AUNT PETUNI... | added by acronimous 8 years ago |
 | FADE IN: 1 EXT. RAIN FOREST, OLYMPIC NATIONAL PARK, WASHINGTON - DAWN Moss-draped. Shadow-drenched. Tortured tree trunks twist upward, reaching for rare sunlight. BELLA (V.O.) I'd never given much thought to how I would die.. Suddenly, every creature in the forest is deadly silent. Neith... | added by acronimous 8 years ago |
 | Name... Annie Braddock. Age... 21. Area of interest... anthropology. Describe your work experience as it relates to your intended field. My God. Where do I begin? Attention. The Museum of Natural History will be closing in 15 minutes. Please exit the hall ... | added by acronimous 8 years ago |
 | [magical tinkling] [man] We must begin our story, sad to say, with an empty chair. If it were not empty, we would not have a story. But it is, and we do, and it is time to tell it. [birds... | added by acronimous 8 years ago |
 | Opening Dance/Pantomime (The opening pantomime begins when the lights dim in the theatre/gymnasium. All is quiet, until slowly music fills the auditorium. As if released from a cage, suddenly several “dancers” wearing bright clothing enter from the back of the auditorium. Each contains a str... | added by acronimous 8 years ago |
 | The following text fades in over black: This is a true story. The events depicted took place in Minnesota in 2006. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. FLARE TO WHITE: EXT. TWO LANE HIGHWAY. RURAL... | added by acronimous 8 years ago |
 | 1 INT. COMMERCIAL SET/WHITE VOID - DAY 1 We HEAR an OPERATIC ARIA. CLOSE ON A WOMAN'S WHITE-GLOVED HAND, gracefully trailing along a reflective black surface. PULLING BACK to reveal a beautiful MODEL in... | added by acronimous 8 years ago |
 | BATHING MONTAGE: We cycle through a series of scenes with voice overs. Underneath the dialogue, one song plays throughout. Perhaps it’s ‘Tell Me Something Good,’ by Rufus and Chaka Khan or something better or cheaper or both that the music supervisor finds for us. INT. CONNECTICUT KITCHEN -... | added by acronimous 8 years ago |
 | "When I stepped out... "...into the bright sunlight... "...from the darkness of the movie house...." What's going on? We're early. What do yo... | added by acronimous 8 years ago |
 | Scene One Begins in a school classroom with an arm wrestling match Carly: Alright, here we go! Cheering Sam: Ok Benson, let’s do this thing. Freddie: Just a sec Rolls up sleeves to show muscles, puts arms above head to stretch arms and neck Oohing and ahhing Sam: I’m getting (singing) booor... | added by acronimous 8 years ago |
 | The Hitchhiker's Guide to the Galaxy OVER DARKNESS... 1 ...we hear what we will come to know as the VOICE OF THE GUIDE. GUIDE VOICE It is an important and popular fact that things are not always what they seem. A small square image appe... | added by acronimous 8 years ago |
 | ADSO (V.O.) Having reached the end of my poor sinner's life... my hair now white... I prepare to leave on this parchment my testimony as to the wondrous and terrible events I witnessed in my youth... towards the end of the year of Our Lord, 1327. May God grant me the wisdom and grace to be ... | added by acronimous 8 years ago |
 | FADE IN: 1 EXT. LONDON - 1855 - NIGHT 1 Warm light shines from the study of the gracious Kingsley home. A man, silhouetted in the window, speaks with ardor. 2 INT. THE STUDY - NIGHT - CONT. 2 CHARLES KINGSLEY has just described his new venture to his friends, including LORD ASCOT.... | added by acronimous 8 years ago |
 | Fade In: 1. INT. BRIEFING ROOM- NIGHT. A good sized room with a projector screen in front and a mix of 40 STUDENTS AND PARENTS. CARL BROMAN, late 50s with a very serious demeanor, sits to the right of the projector screen. There is a LAPTOP in front of him and a PowerPoint presentati... | added by acronimous 8 years ago |
 | 1 INT. FIGHT CLUB/ BAR- TIJUANA MEXICO- DAY 1 We open on a mural of Jesus Christ, painted on the wall of the bar. We pan down to reveal dank surroundings where disinterested patrons are watching a brutal flyweight match between TWO HISPANIC FIGHTERS. 2 INT. DRESSING ROOM- FIGHT CLUB/ BAR- TI... | added by acronimous 8 years ago |
 | FADE UP Grey clouds of an early morning sky. BAKER (V.O.) Once upon a time, in a far off kingdom, there lay a small village at the edge of the woods... Suddenly, the WELL-WORN BOOT of Cinderella steps into the frame and lands on what we thought was the sky, but in fact is simply ... | added by acronimous 8 years ago |
 | OPENING KATNISS (V.O.) Winning means fame and fortune. Losing means certain death. I guess I wouldn’t mind dying, but dying means losing the ones I love. INT. Cinna’s workroom.- DAY. The lights flicker on. KATNISS bats her eyes at the sudden light, trying to adjust her eyes to the bright lights,... | added by acronimous 8 years ago |
 | ACT I SCENE I. Venice. A street. Enter RODERIGO and IAGO RODERIGO Tush! never tell me; I take it much unkindly That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this. IAGO 'Sblood, but you will not hear me: If ever I did dream of such a matter, Abhor me.... | added by acronimous 8 years ago |
 | (On a dark cloudy background, we see several stars flying towards us, a mirrored reference to the previous logo. As the third star flies towards us, we follow the star to reveal that we were looking at the reflection of a lake. We follow the stars as they skim the lake and create ripples. We cont... | added by acronimous 8 years ago |
 | Leon and Mathilda arrive on the roof of a building which faces Central Park. They get close to a wall and maintain this position. Sunlight floods the park. LEON(concentrated) Firstly, you look. For more than one minute. Because there are alarm system... | added by acronimous 8 years ago |
 | TITLES: "E.T. - THE EXTRA-TERRESTIAL" [The letters are in soft-purple against a black background. Purple is traditionally the color of that which is sacred.] EXT: NIGHT SKY: NIGHT The black screen becomes a night sky. The camera angles lowers to show a forest against the night sky. ... | added by acronimous 8 years ago |
 | THE GODFATHER Part Two Screenplay by Mario Puzo and Francis Ford Coppola SECOND DRAFT September 24, 1973 FADE IN: The Paramount Pictures logo is presented over a simple black background, as a single trumpet plays the familiar theme of a waltz. White letterin... | added by acronimous 8 years ago |
 | FADE IN: EXT. SAWYER'S BACKYARD--DAWN Elegiac music murmurs as three female and barefoot PAIRS OF LEGS in skirts break from tableau to gently engage in Croquet. A blue mallet hits a blue ball through a wicket, a green mallet knocks a green ball, and a yellow mallet push... | added by acronimous 8 years ago |